Dhamar Is The Beautiful 14 Beats Taal
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Introduction to Dhamar Taal:
Dhamar Taal is one of the most prominent and dignified taals in Hindustani classical music, particularly associated with the Dhrupad and Dhamar genres of singing. It is a powerful and assertive rhythmic cycle of 14 matras (beats). The structure of Dhamar Taal is unique and is played with an open and resonant sound (khule bolon ka taal), making it especially suitable for the pakhawaj, though it is also commonly played on the tabla.
Taal Structure:
The 14 matras of Dhamar Taal are divided into four vibhags (sections), with a structure of 5+2+3+4. The taali (clap) is on the 1st, 6th, and 11th matras, while the khaali (wave) is on the 8th matra. Here’s a breakdown of its beat structure:
Taal/Theka | : | Dhamar Taal |
Beats/Matra | : | 14 |
Divisions/Vibagh | : | 4 (5|2|3|4) |
Clap/Taali | : | 3 (On 1st, 6th,11st beats) |
Sam | : | On 1st beat |
Wave/Khali | : | 1 (On 8th beats) |
Tempo/Laya | : | Medium |
Theka for Dhamar Taal:
- The Theka (basic rhythm pattern) for Dhamar Taal is:

use of Dhamar Taal:
Misucian use Dhamar Taal in:
- Vocal Music: It is great for khayal and thumri songs.
- Instrumental Music: Tabla players and sitar players often use it.
- Dance Forms: This taal makes classical dance look graceful and rhythmic.
Conclusion:
Dhamar Taal creates a wonderful 14-beat rhythm in music. Musicians love this taal because it is fun and easy to play. When you practice, you improve your music and impress others!
Taal Sign Explanation:
Taal notation symbols show and explain the rhythm's structure. Here’s what they mean:
- Sam- is shown by an (x) cross
- wave- is shown by (0) zero
- Clap- is shown by its number
- Pause- is shown by (S)
- Divisions- is shown by(I) Bar
Badi Sawari Taal's rhythm uses the Bhatkhande Swarlipi way.
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