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Ara Chautaal (14 Matra): Guide | TablaTheka

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An illustrative guide for the 14-beat Ara Chautaal

An Introduction to Ara Chautaal

Ara Chautaal, also known as "Ada Chautaal," is a dignified and profound 14-beat rhythmic cycle (taal) in Hindustani classical music. Due to its expansive and symmetrical structure, it is well-suited for slow-tempo (Vilambit Laya) compositions. It provides a broad canvas for artists to elaborate on a raga, making it a favorite for Bada Khayal singing.

Watch a Demonstration of Ara Chautaal

The Structure and Characteristics of Ara Chautaal

Ara Chautaal's 14 matras are gracefully arranged into 7 divisions (vibhags), with each division containing 2 beats. This 2|2|2|2|2|2|2 structure is defined by 4 taalis (claps) and 3 khaalis (waves), creating a balanced and majestic rhythmic flow.

Ara Chautaal Details at a Glance
Beats (Matra)14
Divisions (Vibhag)7 (Pattern: 2|2|2|2|2|2|2)
Clap (Taali)4 (On the 1st, 5th, 9th, and 11th beats)
Wave (Khali)3 (On the 3rd, 7th, and 13th beats)
First Beat (Sam)On the 1st beat, marked with an 'X'
Common Tempo (Laya)Slow (Vilambit) to Medium (Madhya)

Theka for Ara Chautaal

The Theka (basic rhythmic pattern) for Ara Chautaal is presented below in four rows for clarity on mobile devices.

Ara Chautaal Theka (14 Beats)
1234
DhinTirekiteDhinNa
X (Sam)0 (Khali)
5678
TuNaKatTa
2(Clap)0 (Khali)
9101112
DhinDhinNaDhin
3(Clap)4(Clap)
1314
DhinNa
0 (Khali)

How to Practice Ara Chautaal

To master the grand and stately rhythm of Ara Chautaal, follow these practice steps:

  • Internalize the 2-Beat Pulse: Before playing, practice reciting the bols while clapping on the Taalis and waving on the Khalis. This helps to internalize the steady, even pulse of the seven divisions.
  • Focus on Clarity of Bols: The theka contains intricate bols like "Tirekite". Practice these phrases slowly to ensure each stroke is clear and well-defined.
  • Maintain a Slow, Steady Tempo: This taal is designed for Vilambit Laya. Practice with a metronome at a slow, deliberate pace to maintain its majestic character.
  • Listen to Bada Khayal: Immerse yourself in recordings of Bada Khayal performances that use Ara Chautaal. This is the key to understanding its feel and application in a musical context.

Applications in Performance

The stately nature of Ara Chautaal makes it ideal for serious and elaborate forms of classical music:

  • Bada Khyal: It is a primary taal for Vilambit (slow-tempo) Khyal singing, providing a grand rhythmic canvas for the vocalist.
  • Instrumental Music: It is also used by accomplished soloists on Sitar, Sarod, and Sarangi for slow-paced expositions of a raga.

Conclusion

Ara Chautaal is a cornerstone of Vilambit Laya performance in Hindustani classical music. Its balanced 14-beat cycle offers a stable and grand foundation for deep artistic exploration. Mastering this taal is a significant milestone for any student of classical music. Its character can be compared to another important 14-beat cycle, Dhamar Taal, which is central to the Dhrupad-Dhamar genre.