Welcome to my Tabla Theka blog.
Understanding Layakari and Tigun
Layakari means playing rhythms at different speeds. It adds fun and complexity with varied rhythms to the beat. Tigun Layakari specifically means playing three bols (syllables) evenly within each single beat.
Structure of Roopak Taal
Roopak Taal (or Rupak Taal) has 7 beats (matras) split into three unequal divisions (vibhags). The structure is 3+2+2, creating a unique, asymmetrical feel. A distinctive feature is that its first beat (Sam) is a Khali (wave) instead of a Taali (clap).
| Taal | Roopak / Rupak |
| Beats (Matra) | 7 |
| Division (Vibhag) | 3 (3|2|2) |
| Clap (Taali) | 2 (On 4th and 6th beats) |
| Wave (Khali) | 1 (On 1st beat) |
| Sam | On 1st beat (coincides with Khali) |
Roopak Taal Layakari Examples
1. Roopak Taal Theka or Ekgun (Base Speed)
| 1 | 2 | 3 |
|---|---|---|
| Ti | Ti | Na |
| 0 (Khali / Sam) | ||
| 4 | 5 | |
| Dhi | Na | |
| 2 (Clap) | ||
| 6 | 7 | |
| Dhi | Na | |
| 3 (Clap) | ||
2. Roopak Taal Tigun Layakari (Triple Speed)
| 1 | 2 | 3 |
|---|---|---|
| Ti Ti Na | Dhi Na Dhi | Na Ti Ti |
| 0 (Khali / Sam) | ||
| 4 | 5 | |
| Na Dhi Na | Dhi Na Ti | |
| 2 (Clap) | ||
| 6 | 7 | |
| Ti Na Dhi | Na Dhi Na | |
| 3 (Clap) | ||
Conclusion
With its unique 7-beat structure, the Tigun Layakari in Roopak Taal adds profound depth and rhythmic excitement to performances. Mastering this variation allows musicians to showcase their command and connect more deeply with their audience.
Note: The notation of the taal is written according to the Bhathkhande Swarlipi method. 'Sam' is shown by an (X) or the first taali/khali, 'Khali' is shown by a (0), and subsequent 'Taalis' are shown by their numbers (2, 3).