Sooltaal Aad Layakari (10 Beats)

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An illustrative guide for Sooltaal 10-beat Aad Layakari

Understanding Aad Layakari in Sooltaal

Sooltaal, also known as Soolfak or Shultal, is a devotional 10-beat rhythmic cycle originating from the Pakhawaj tradition, commonly used to accompany Dhrupad and Dhamar singing. This guide presents an Aad Layakari (1.5x speed) composition for Sooltaal. Practicing this variation, where each beat is filled with a triplet phrase, is an excellent way to develop rhythmic control and precision.

The Structure of Sooltaal

Sooltaal is comprised of 10 beats organized into five divisions of two beats each. The specific composition in this guide uses a clap/wave pattern common to Soolfak, a close variant of Sooltaal.

Sooltaal (Soolfak) Characteristics
Beats (Matra)	10
Divisions (Vibhag)	5 (Pattern: 2\|2\|2\|2\|2)
Clap (Taali)	3 (On the 1st, 5th, and 9th beats)
Wave (Khali)	2 (On the 3rd and 7th beats)
First Beat (Sam)	On the 1st beat

Sooltaal Layakari Notations

The Basic Theka of Sooltaal (Reference)

To fully appreciate the layakari, it is helpful to know the standard theka of Sooltaal, which has a powerful and open-bol sound.

Sooltaal Theka (10 Beats)
1	2	3	4
Dha	Dha	Den	Ta
X (Sam)		0 (Khali)
5	6	7	8
KiTe	Dha	Tite	Kata
2(Clap)		0 (Khali)
9	10
Gadi	Ghena
3(Clap)

Sooltaal Aad Layakari Notation

This section details the Aad Layakari notation, presented over two complete cycles. Each beat is filled with a three-syllable pattern, including pauses ('S').

First Cycle (Pehla Avartan)

First Cycle Notation
1	2	3	4
Dha.S.Dha	S.Den.S	Ta.S.Ki	Te.Dha.S
X (Sam)		0 (Khali)
5	6	7	8
Ti.Te.Ka	Ta.Ga.Di	Ghe.Na.Dha	S.Dha.S
2(Clap)		0 (Khali)
9	10
Den.S.Ta	S.Ki.Te
3(Clap)

Second Cycle (Dusra Avartan)

Second Cycle Notation
1	2	3	4
Dha.S.Ti	Te.Ka.Ta	Ga.Di.Ghe	Na.Dha.S
X (Sam)		0 (Khali)
5	6	7	8
Dha.S.Den	S.Ta.S	Ki.Te.Dha	S.Ti.Te
2(Clap)		0 (Khali)
9	10
Ka.Ta.Ga	Di.Ghe.Na
3(Clap)

How to Practice this Layakari

Begin with Padhant: Recite the bols aloud while keeping the 10-beat cycle with hand gestures (claps on 1, 5, 9; waves on 3, 7). This builds the rhythmic foundation.
Use a Metronome: Practice with a metronome at a slow, comfortable tempo. Focus on fitting the three-part phrase precisely into each beat.
Value the 'S' (Pause): The *avagraha* or pause is a rhythmic placeholder. Give it its full duration to maintain the syncopated feel.
Play with Clarity: Once confident with the recitation, play it on the tabla or pakhawaj. Concentrate on clear, powerful sound production (*nikas*) for each bol.

Conclusion

This Aad Layakari in Sooltaal is a fantastic exercise for any student of Indian classical music. It sharpens your internal clock, improves rhythmic dexterity, and deepens your appreciation for the complexities of a 10-beat cycle. While Sooltaal's layakari is rooted in the Pakhawaj tradition, you can also explore the layakari of the more common 10-beat Jhaptaal.

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Sooltaal Aad Layakari (10 Beats) | Tabla Theka