Skip to main content

Chautaal Aad Layakari (12 Beats) | Tabla Theka

Welcome to my Tabla Theka blog.


Understanding Aad Layakari in Chautaal (12 Beats)

Aad Layakari literally means to play at 1.5x speed, but the name is also used for various syncopated exercises. This guide explores a popular composition for the 12-beat Chautaal. In this variation, each beat is filled with a unique triplet-style pattern that includes pauses ('S'). Mastering this complex *prakar* (variation) is an excellent way to improve rhythmic control and your overall command of laya (tempo).

Watch a Demonstration of Chautaal

The Structure of Chautaal

Before practicing the layakari, it is essential to be comfortable with the structure of Chautaal. This 12-beat cycle is traditionally played on the pakhawaj and is a cornerstone of the Dhrupad genre.

Chautaal Characteristics
Beats / Matra12
Divisions / Vibagh6 (with a pattern of 2|2|2|2|2|2)
Clap / Taali4 (On the 1st, 5th, 9th, and 11th beats)
SamOn the 1st beat
Wave / Khali2 (On the 3rd and 7th beats)

The Basic Theka of Chautaal

The standard theka (rhythmic phrase) for Chautaal is as follows:

Chautaal Theka (12 Beats)
123456
DhaDhaDinTaKitDha
X (Sam)0 (Wave)2 (Clap)
789101112
DinTaKatTaGadiGana
0 (Wave)3 (Clap)4 (Clap)

Chautaal Aad Layakari Variation Notation

This table shows the Aad Layakari variation, transcribed from the popular notation chart. It is played over two full cycles of Chautaal (24 beats). Each beat is filled with a three-syllable pattern, including pauses ('S').

Chautaal – Aad Layakari Variation
First Cycle (Beats 1-12)
123456789101112
Dha S DhaS Den STa S KiTe Dha SDen S TaS Ti TeKa Ta GaDi Ghe NaDha S DhaS Den STa S KiTe Dha S
X (Sam)0 (Wave)2 (Clap)0 (Wave)3 (Clap)4 (Clap)
Second Cycle (Beats 13-24)
123456789101112
Den S TaS Ti TeKa Ta GaDi Ghe NaDha S DhaS Den STa S KiTe Dha SDen S TaS Ti TeKa Ta GaDi Ghe Na
X (Sam)0 (Wave)2 (Clap)0 (Wave)3 (Clap)4 (Clap)

How to Practice this Layakari

  • Start with Recitation (Bolna): Clap the steady 12 beats of Chautaal, paying close attention to the taali and khali placements. For each beat, recite the corresponding three-syllable group from the table.
  • Use a Metronome: A metronome will provide an accurate pulse. Set it to a slow tempo and practice one vibhag at a time before combining them.
  • Focus on the Pauses: The pause 'S' (avagraha) is critical. Giving it the correct timing is essential to maintain the syncopated feel of the pattern.

Conclusion

This Aad Layakari composition for Chautaal is a challenging but highly beneficial exercise. It moves beyond simple speed variations to teach intricate rhythmic phrasing. Mastering this pattern will significantly improve a musician's control, confidence, and ability to handle complex rhythms in performance.

Get More Updates on Tabla Thekas

Check out other guides on the Tabla Theka blog and subscribe to our YouTube channel.


Thank you for visiting! We hope this guide helps you on your musical journey.

Popular posts from this blog