Welcome to my Tabla Theka blog.
Understanding Rupak Taal Layakari
Layakari means playing rhythms at different speeds. Artists change speed while singing or playing music. Layakari adds fun with varied rhythms to the beat.
Types of Layakari
- Ekgun layakari: Playing one bol per beat is called ekgun.
- Dugun layakari: Playing two bols per beat is called dugun.
- Tigun layakari: Playing three bols per beat is called tigun.
- Chaugun layakari: Playing four bols per beat is called chaugun.
Structure of Rupak Taal
Rupak Taal has 7 beats (matras) split into three unequal divisions (vibhags). The structure is 3+2+2, creating a unique, asymmetrical feel. A distinctive feature is that its first beat (Sam) is a Khali (wave) instead of a Taali (clap).
| Taal | Rupak |
| Beats (Matra) | 7 |
| Division (Vibhag) | 3 (3|2|2) |
| Clap (Taali) | 2 (On 4th and 6th beats) |
| Wave (Khali) | 1 (On 1st beat) |
| Sam | On 1st beat (coincides with Khali) |
Rupak Taal Layakari Examples
1. Rupak Taal Ekgun Layakari (Base Speed)
| 1 | 2 | 3 |
|---|---|---|
| Ti | Ti | Na |
| 0 (Wave / Sam) | ||
| 4 | 5 | |
| Dhi | Na | |
| 2 (Clap) | ||
| 6 | 7 | |
| Dhi | Na | |
| 3 (Clap) | ||
2. Rupak Taal Dugun Layakari (Double Speed)
| 1 | 2 | 3 |
|---|---|---|
| Ti Ti | Na Dhi | Na Dhi |
| 0 (Wave / Sam) | ||
| 4 | 5 | |
| Na Ti | Ti Na | |
| 2 (Clap) | ||
| 6 | 7 | |
| Dhi Na | Dhi Na | |
| 3 (Clap) | ||
For more details on the triple speed variation, see: Roopak Taal Tigun Layakari
3. Rupak Taal Tigun Layakari (Triple Speed)
| 1 | 2 | 3 |
|---|---|---|
| Ti Ti Na | Dhi Na Dhi | Na Ti Ti |
| 0 (Wave / Sam) | ||
| 4 | 5 | |
| Na Dhi Na | Dhi Na Ti | |
| 2 (Clap) | ||
| 6 | 7 | |
| Ti Na Dhi | Na Dhi Na | |
| 3 (Clap) | ||
4. Rupak Taal Chaugun Layakari (Quadruple Speed)
| 1 | 2 | 3 |
|---|---|---|
| Ti Ti Na Dhi | Na Dhi Na Ti | Ti Na Dhi Na |
| 0 (Wave / Sam) | ||
| 4 | 5 | |
| Dhi Na Ti Ti | Na Dhi Na Dhi | |
| 2 (Clap) | ||
| 6 | 7 | |
| Na Ti Ti Na | Dhi Na Dhi Na | |
| 3 (Clap) | ||
Conclusion
With its unique 7-beat structure and the expressive potential of its layakari, Rupak Taal adds profound depth and emotion to performances in Indian classical music. Mastering these variations allows musicians to showcase their rhythmic command and connect more deeply with their audience.
Note: The notation of the taal is written according to the Bhathkhande Swarlipi method.