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Farodast Taal Rare (14 Matra): Theka Guide | TablaTheka

An illustrative guide for the 14-beat Farodast Taal

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An Introduction to Farodast Taal

Farodast Taal is a special and balanced 14-beat cycle in Hindustani classical music. Its unique distributive pattern of beats makes it suitable for both classical and semi-classical performances, adding a distinct rhythmic character to the music.

Watch a Live Demonstration of Farodast Taal

The Structure and Characteristics of Farodast Taal

Farodast Taal is composed of 14 matras (beats) organized into 7 vibhags (divisions) of 2 beats each. Its rhythmic pattern is marked by 5 taalis (claps) and 2 khaalis (waves), creating a sophisticated and engaging rhythm.

Farodast Taal Characteristics
Beats (Matra)14
Divisions (Vibhag)7 (Pattern: 2|2|2|2|2|2|2)
Clap (Taali)5 (On the 1st, 5th, 9th, 11th, and 13th beats)
Wave (Khali)2 (On the 3rd and 7th beats)
First Beat (Sam)On the 1st beat, marked with an 'X'
Common Tempo (Laya)Medium (Madhya)

Theka Notation for Farodast Taal

The Theka (foundational phrase) for Farodast Taal is presented below in four mobile-friendly rows for better readability.

Farodast Taal Theka (14 Beats)
1234
DhinDhinDhageTirekite
X (Sam)0(Wave)
5678
TunNaKatTa
2(Clap)0(Wave)
9101112
DhinKataTirekiteDhina
3(Clap)4(Clap)
1314
KadhiNak
5(Clap)

How to Practice Farodast Taal

To master this balanced taal, follow these steps:

  • Internalize the 2-Beat Divisions: The taal is structured in seven pairs of beats. Count "1-2 | 1-2 | 1-2..." repeatedly to feel this symmetrical pulse.
  • Practice the Taali-Khali Pattern: The placement of 5 taalis and 2 khaalis is key. Practice counting and clapping/waving to master the rhythmic flow before playing on the tabla.
  • Master the Bols: The theka contains phrases like "Dhage Tirekite" and "Kadhi Nak". Practice these slowly to ensure each stroke is clear and accurate.
  • Use a Metronome: Set your metronome to 14 beats per cycle. This will help you maintain a steady tempo and ensure each division is given its correct duration.

Common Applications and Performance Use

Farodast Taal is primarily used in:

  • Classical Performances: It is effectively employed in various Raga compositions, especially in Khayal and Dhrupad singing.
  • Instrumental Music: Artists use it for instrumental performances, especially when a complex rhythmic relationship between the melody and percussion is desired.

Conclusion

Farodast Taal is an exciting rhythmic cycle in Indian classical music. Its 14-beat structure offers a rich canvas for musicians to improvise and play a wide variety of compositions, showcasing their creativity and skill. It shares its beat count with another important taal, Dhamar Taal.

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