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An Introduction to Farodast Taal
Farodast Taal is a special and balanced 14-beat cycle in Hindustani classical music. Its unique distributive pattern of beats makes it suitable for both classical and semi-classical performances, adding a distinct rhythmic character to the music.
Watch a Live Demonstration of Farodast Taal
The Structure and Characteristics of Farodast Taal
Farodast Taal is composed of 14 matras (beats) organized into 7 vibhags (divisions) of 2 beats each. Its rhythmic pattern is marked by 5 taalis (claps) and 2 khaalis (waves), creating a sophisticated and engaging rhythm.
| Beats (Matra) | 14 |
|---|---|
| Divisions (Vibhag) | 7 (Pattern: 2|2|2|2|2|2|2) |
| Clap (Taali) | 5 (On the 1st, 5th, 9th, 11th, and 13th beats) |
| Wave (Khali) | 2 (On the 3rd and 7th beats) |
| First Beat (Sam) | On the 1st beat, marked with an 'X' |
| Common Tempo (Laya) | Medium (Madhya) |
Theka Notation for Farodast Taal
The Theka (foundational phrase) for Farodast Taal is presented below in four mobile-friendly rows for better readability.
| 1 | 2 | 3 | 4 |
|---|---|---|---|
| Dhin | Dhin | Dhage | Tirekite |
| X (Sam) | 0(Wave) | ||
| 5 | 6 | 7 | 8 |
| Tun | Na | Kat | Ta |
| 2(Clap) | 0(Wave) | ||
| 9 | 10 | 11 | 12 |
| Dhin | Kata | Tirekite | Dhina |
| 3(Clap) | 4(Clap) | ||
| 13 | 14 | ||
| Kadhi | Nak | ||
| 5(Clap) | |||
How to Practice Farodast Taal
To master this balanced taal, follow these steps:
- Internalize the 2-Beat Divisions: The taal is structured in seven pairs of beats. Count "1-2 | 1-2 | 1-2..." repeatedly to feel this symmetrical pulse.
- Practice the Taali-Khali Pattern: The placement of 5 taalis and 2 khaalis is key. Practice counting and clapping/waving to master the rhythmic flow before playing on the tabla.
- Master the Bols: The theka contains phrases like "Dhage Tirekite" and "Kadhi Nak". Practice these slowly to ensure each stroke is clear and accurate.
- Use a Metronome: Set your metronome to 14 beats per cycle. This will help you maintain a steady tempo and ensure each division is given its correct duration.
Common Applications and Performance Use
Farodast Taal is primarily used in:
- Classical Performances: It is effectively employed in various Raga compositions, especially in Khayal and Dhrupad singing.
- Instrumental Music: Artists use it for instrumental performances, especially when a complex rhythmic relationship between the melody and percussion is desired.
Conclusion
Farodast Taal is an exciting rhythmic cycle in Indian classical music. Its 14-beat structure offers a rich canvas for musicians to improvise and play a wide variety of compositions, showcasing their creativity and skill. It shares its beat count with another important taal, Dhamar Taal.