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Tagore's Unnamed Taals Part 5: Grand Cycles | Tabla Theka

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An illustrative guide for Tagore’s unnamed taal part 5

Exploring Tagore's Unnamed Taals (Part 5): The Grand Cycles

Welcome to the final part of our series on Rabindranath Tagore's unique unnamed taals. After exploring various foundational rhythms in Part 1, Part 2, Part 3, and Part 4, we now arrive at the grand cycles of 11 and 12 beats. These expansive taals showcase Tagore's mastery in creating majestic rhythmic canvases for his most profound compositions.

The 11-Beat Unnamed Taal

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11-Beat Taal Details
Structure3 Divisions (3 | 4 | 4)
Tali (Claps)3 claps on the 1st, 4th, and 8th beats.
Khali (Wave)None
Example Song"Knapiche Deholota Thoro Thoro"
1234
DhaDhiNaDhi
X (Sam)2(Clap)
5678
DhiDhiNaDha
3(Clap)
91011
DhiNageTite

The 12-Beat Unnamed Taal

Watch the Demonstration

12-Beat Taal Details
Structure4 Divisions (2 | 4 | 2 | 4)
Tali (Claps)4 claps on the 1st, 3rd, 7th, and 9th beats.
Khali (Wave)None
Example Song"Aji Jhoro Jhoro Mukhoro Badolo Dine"
1234
DhiNaDhaDhi
X (Sam)2(Clap)
5678
DhiNaTiNa
3(Clap)
9101112
DhaDhiDhiNa
4(Clap)

Conclusion

Tagore's unnamed taals are a universe of rhythmic exploration. They teach us that rhythm is not just about counting beats but about feeling the emotion of the music. By studying this complete series, we get a closer look into the mind of a creative genius who shaped the sound of Bengali music forever.

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