Welcome to my Tabla Theka blog.
Introduction to Ekadashi Taal
Ekadashi Taal is a unique 11-beat rhythmic cycle created by the polymath Rabindranath Tagore. As a 'Rabindrik Taal,' it showcases his innovative approach, often blending elements from Hindustani classical music, Carnatic rhythms, and Bengali folk traditions to create new and expressive rhythmic frameworks for his songs.
Watch a Demonstration of Ekadashi Taal
Taal Structure
Ekadashi Taal is composed of 11 matras, uniquely divided into four uneven vibhags with a pattern of 3|2|2|4. This asymmetrical structure gives it a distinct character. Notably, this taal has no wave (khali).
| Taal Name | Ekadoshi Taal |
|---|---|
| Beats / Matra | 11 |
| Divisions / Vibhag | 4 (with a pattern of 3|2|2|4) |
| Clap / Taali | 4 (On 1st, 4th, 6th, and 8th beats) |
| Sam | On 1st beat |
| Wave / Khali | None |
| Tempo / Laya | Medium |
Theka Notation for Ekadashi Taal
The theka is the foundational phrase of Ekadashi Taal, outlining its rhythm with specific bols. The standard theka is as follows:
| 1 | 2 | 3 |
|---|---|---|
| Dha | Den | Ta |
| x (Sam) | ||
| 4 | 5 |
|---|---|
| Tite | Kata |
| 2nd Clap | |
| 6 | 7 |
|---|---|
| Gadhi | Ghene |
| 3rd Clap | |
| 8 | 9 | 10 | 11 |
|---|---|---|---|
| Dhage | Tite | Tage | Tite |
| 4th Clap | |||
Taal Sign Explanation
The standard notation symbols guide musicians in understanding the taal's structure:
- Sam (x): The first and most emphasized beat of the cycle.
- Taali (2, 3...): Claps that mark the other stressed divisions of the taal.
- Khali (0): A wave of the hand. Ekadashi Taal is unique as it does not have a Khali.
Applications in Rabindra Sangeet
Ekadashi Taal is exclusively used in Rabindra Sangeet. One of the most well-known compositions set to this taal is:
Conclusion
Ekadashi Taal, with its unique 11-beat structure, stands as a testament to Rabindranath Tagore's creative genius. It is a special and enjoyable rhythm that beautifully carries the emotional depth and innovation of Rabindra Sangeet, offering a distinct rhythmic flavor not found in traditional classical taals.