Addha Tintaal (16 Beats) | Theka & Bols | Tabla Theka
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Addha Tintaal: A Complete Guide to the 16-Beat Theka for Thumri, Dadra, and Ghazal
Introduction to Addha Tintaal
Addha Tintaal, often called simply 'Addha', is a popular 16-beat rhythmic cycle played in many semi-classical Indian musical forms. As a variation of the familiar Teentaal, it has a distinct flavor due to its unique bols (rhythmic strokes). Addha Tintaal is considered lighter than traditional Teentaal and its flowing, intricate rhythms are favored for accompanying emotive genres like Thumri, Dadra, and Ghazal.
Watch a Demonstration of Addha Tintaal
Taal Structure
Addha Tintaal is composed of 16 matras (beats) organized into four vibhags (divisions) of four beats each. Its rhythmic pattern is marked by 3 taalis (claps) and 1 khaali (wave).
Taal Name | Addha Tintaal |
---|---|
Beats / Matra | 16 |
Divisions / Vibagh | 4 (4|4|4|4) |
Clap / Taali | 3 (On 1st, 5th, and 13th beats) |
Sam | On 1st beat (marked with 'x') |
Wave / Khali | 1 (On 9th beat) |
Tempo / Laya | Medium (Madhya) |
Theka for Addha Tintaal
The Theka (basic rhythmic pattern) for Addha Tintaal is essential for understanding its unique feel. The notation is as follows:

Applications of Addha Tintaal
Addha Tintaal is commonly used in musical forms where expression and emotion are paramount:
- Semi-Classical Vocal: It is a cornerstone for accompanying Thumri, Dadra, and Ghazal, where its flowing nature perfectly complements the melodic phrases.
- Instrumental Music: Soloists and accompanists use it to create a lighter, more lyrical mood compared to the more formal Teentaal.
- Kathak Dance: This taal is used in Kathak for graceful and expressive movements, showcasing intricate rhythmic patterns (layakari).
Conclusion
Addha Tintaal offers an intricate and expressive rhythmic pattern perfectly suited for semi-classical and light classical genres. Its flowing nature enhances the emotive quality of the compositions it supports, making it an essential taal for musicians and dancers to master.
Taal Sign Explanation
The notation of the taal follows the Bhatkhande system, where symbols help musicians understand the structure:
- Sam (x): The first and most emphasized beat of the cycle.
- Taali (2, 3, etc.): A clap marking a stressed division. In Addha Tintaal, the claps after Sam are on the 5th and 13th beats.
- Khali (0): A wave of the hand, marking an unstressed or "empty" division on the 9th beat.
- Vibhag (|): A vertical bar that separates the four divisions.
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