Parts of Tabla: A Complete Anatomy Guide | TablaTheka
Welcome to the Tabla Theka blog, your trusted resource for learning tabla.
Understanding the Anatomy of the Tabla
The tabla is a classical Indian percussion instrument consisting of a pair of small hand drums. To truly master the tabla, it is essential to know its different parts. Today, we will explore the complete anatomy of the tabla, covering both the right-hand drum (Dayan) and the left-hand drum (Bayan).
Watch a Detailed Explanation of Tabla Parts
Parts of the Dayan (Right-Hand Drum)
The Dayan, also known as the Tabla, is the smaller, higher-pitched drum. Its main components are:
Anatomy of the Dayan
Wood / Lakdi
The main hollow body of the Dayan, typically made from high-quality wood like Sheesham or Teak.
Gaab / Syahi
The round, black paste applied in the center of the drumhead. It is crucial for producing the tabla's unique resonant tones.
Kaani / Chanti
The outer edge or rim of the drumhead, which produces sharp, high-pitched sounds.
Lab / Sur / Maidan
The area between the Gaab and the Kaani. It produces a range of open and muted sounds.
Gajra
A braided ring made of leather that holds the drumhead (Pudi) in place.
Baddi / Chot
The leather straps that run vertically along the wooden body, used for tensioning and tuning the drum.
Gatta
Small cylindrical wooden blocks placed under the Baddi. Moving them up or down helps in fine-tuning the tabla.
Gurori
The leather ring at the base of the Dayan that holds the Baddi straps together.
Parts of the Bayan (Left-Hand Drum)
The Bayan, also known as the Duggi or Dagga, is the larger, metal-bodied drum that produces deep bass sounds. Many of its parts share names with the Dayan.
Anatomy of the Bayan
Kudi / Khod
The main body of the Bayan, typically made of metal like copper, brass, or steel.
Gaab / Syahi
Similar to the Dayan, this black paste is applied off-center on the Bayan to help create its characteristic bass sound.
Kaani
The outer rim of the Bayan's drumhead.
Lab / Maidan
The area between the Gaab and Kaani on the Bayan.
Gajra, Baddi, Gurori
These parts (braided ring, leather straps, and base ring) serve the same function as on the Dayan.
Essential Tabla Accessories
In addition to the drums themselves, several accessories are used for playing, tuning, and maintenance:
Bere / Bira: A pair of ring-shaped cushions that provide a stable base for the tabla drums during play.
Hammer (Hathodi): A small hammer used to tap the Gajra or Gatta for tuning the tabla.
Powder: Often applied to the hands to absorb sweat and allow for smooth, friction-free playing.
Tabla Cover: A protective cover used to shield the drumheads from dust and moisture when not in use.
Conclusion: Know Your Instrument
Understanding the different parts of the tabla is a fundamental step for every student. Knowing the anatomy not only helps in proper maintenance and tuning but also deepens your connection with this beautiful instrument. Each part plays a vital role in creating the rich and complex sounds of the tabla.
{
"@context": "https://schema.org",
"@graph": [
{
"@type": "HowTo",
"name": "How to Identify the Parts of a Tabla",
"description": "A step-by-step guide to understanding the complete anatomy of a tabla set, including the Dayan (right drum) and Bayan (left drum).",
"tool": [
{
"@type": "HowToTool",
"name": "A Tabla Set (Dayan and Bayan)"
}
],
"step": [
{
"@type": "HowToSection",
"name": "Parts of the Dayan (Right-Hand Drum)",
"itemListElement": [
{
"@type": "HowToStep",
"name": "Identify the Main Body (Lakdi)",
"text": "The hollow wooden body of the smaller, higher-pitched drum."
},
{
"@type": "HowToStep",
"name": "Locate the Syahi (Gaab)",
"text": "The permanent black paste in the center of the drumhead, responsible for the tabla's melodic tone."
},
{
"@type": "HowToStep",
"name": "Find the Tuning Blocks (Gatta)",
"text": "The small wooden dowels placed under the leather straps (Baddi). These are used for fine-tuning the pitch."
}
]
},
{
"@type": "HowToSection",
"name": "Parts of the Bayan (Left-Hand Drum)",
"itemListElement": [
{
"@type": "HowToStep",
"name": "Identify the Main Body (Kudi)",
"text": "The larger, metal-bodied drum that produces the bass sound."
},
{
"@type": "HowToStep",
"name": "Locate the Syahi (Gaab)",
"text": "Similar to the Dayan, but placed off-center to facilitate bass modulation."
}
]
},
{
"@type": "HowToSection",
"name": "Essential Accessories",
"itemListElement": [
{
"@type": "HowToStep",
"name": "Use the Base Rings (Bere)",
"text": "The pair of cushions that provide a stable base for both drums."
},
{
"@type": "HowToStep",
"name": "Use the Tuning Hammer (Hathodi)",
"text": "The small hammer used to tap the Gajra (braided ring) and Gatta to adjust the drum's tension and pitch."
}
]
}
]
},
{
"@type": "FAQPage",
"mainEntity": [
{
"@type": "Question",
"name": "What are the two main drums of a tabla set called?",
"acceptedAnswer": {
"@type": "Answer",
"text": "The tabla set consists of two drums. The smaller, higher-pitched drum, played with the right hand, is called the Dayan (or sometimes Tabla). The larger, metal-bodied drum that produces a deep bass sound, played with the left hand, is called the Bayan (or Dagga)."
}
},
{
"@type": "Question",
"name": "What is the black spot on the tabla head called and why is it important?",
"acceptedAnswer": {
"@type": "Answer",
"text": "The black spot is called the Syahi (also known as Gaab). It is a carefully applied paste made of iron filings, rice flour, and other ingredients. The Syahi is not decorative; it is the most critical part of the drumhead, as it allows the tabla to produce its unique, clear, and melodic pitched tones."
}
},
{
"@type": "Question",
"name": "How is a tabla tuned?",
"acceptedAnswer": {
"@type": "Answer",
"text": "A tabla is tuned by adjusting the tension of the drumhead (Pudi). This is primarily done using the wooden blocks, called Gatta, which are held in place by the leather straps (Baddhi). By tapping the Gatta up or down with a small hammer (Hathodi), a player can finely adjust the pitch of the Dayan to a specific note."
}
}
]
}
]
}
Welcome to the Tabla Theka blog, your trusted resource for learning tabla. Introduction to Chautaal Chautaal, also known as Chartal, is one of the most revered and ancient taals in Hindustani classical music, primarily associated with the oldest form of vocal music, Dhrupad . This dignified and powerful 12-beat rhythmic cycle is almost exclusively played on the pakhawaj, as its open, resonant bols (syllables) perfectly complement the majestic nature of Dhrupad singing. Watch a Live Demonstration of Chautaal The Structure and Characteristics of Chautaal The 12 matras of Chautaal are divided into six even vibhags (sections) of 2 matras each, giving the taal a very balanced and stately feel. Its structure is defined by four claps (taali) and two waves (khaali). ...
Welcome to the Tabla Theka blog, your trusted resource for learning tabla. Introduction to Teora Taal Teora Taal (also known as Tivra Taal) is a unique and important taal in Hindustani classical and semi-classical music. It is a rhythmic cycle of 7 matras (beats), which places it in the vishamapadi (asymmetrical) category of taals. Its distinct 7-beat pattern gives it a compelling and forward-driving feel, making it a popular choice for compositions that require a sense of urgency or devotion. It is often compared to another 7-beat cycle, the Rupak Taal .
Welcome to the Tabla Theka blog, your trusted resource for learning tabla. Introduction to Sultaal Sultaal, also known as Sooltaal or Sulfak, is a majestic 10-beat rhythmic cycle in Hindustani classical music. It originates from the Pakhawaj tradition and is prominently featured in the Dhrupad genre. Its powerful and dignified gait makes it a favorite for both vocal and instrumental performances. Watch a Live Demonstration of Sultaal The Structure and Characteristics of Sultaal Sultaal consists of 10 beats (matras) uniquely divided into five vibhags (divisions) of two beats each. This symmetrical 2|2|2|2|2 structure is a defining feature. The taal has two Khali (empty) beats, which creates a distinctive rhythmic character. Sultaal Characteristics ...